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・ Shade River State Forest
・ Shade Rupe
・ Shade sail
・ Shade sandbox
・ Shade Sheist
・ Shade Swamp Shelter
・ Shade tolerance
・ Shade Township, Somerset County, Pennsylvania
・ Shade tree
・ Shade's Children
・ Shade, Kentucky
・ Shade, Ohio
・ Shade, the Changing Man
・ Shade-Central City School District
・ Shade-grown coffee
Shaded Pain
・ Shaded Red
・ Shaded-pole motor
・ Shaded-pole synchronous motor
・ Shadeed
・ Shadeep Silva
・ Shadegan
・ Shadegan County
・ Shadegan Ponds
・ Shadegan, Kohgiluyeh and Boyer-Ahmad
・ Shadehill Dam
・ Shadehill Reservoir
・ Shadeland, Indiana
・ Shadeland, Lexington
・ Shadelands Ranch


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Shaded Pain : ウィキペディア英語版
Shaded Pain


''Shaded Pain'' is the fourth studio album by the American rock band Lifesavers Underground, released in 1987 on Frontline Records. A much different effort from their other releases before or since, ''Shaded Pain'' took a darker gothic rock direction from their previous pop punk sound, and features bleak, death-obsessed lyrics. Although misunderstood by many critics at the time, the album has attained a status of a cult classic. Later, the critics consider the album to be the band's finest effort and one of the best albums of the year it was released.〔(graydot ), (Pneumatic Tire )〕
==Recording==
Produced by Chris Brigandi, featuring dark post-punk guitars with raw, echoed chords, rich soundscapes, and introspective, death-obsessed lyrics, the album created a controversy when it was released: listeners expecting a more happy-sounding punk rock album were horrified by the dark output, resulting with enormous amounts of the album being returned to the record company. ''Shaded Pain'' instead recalls the same sort of hollow, threatening darkness. Michael Knott's vocals combine styles from possessed howling ato shrieking through driving songs such as “Die Baby Die” and moaning like a "prophet of doom" in the chilling “Bye Bye Colour.” There is no much absolution on Shaded Pain, just endless emptiness. Even the up-tempo “Our Time Has Come” is built around the grim chorus: “Our time has come to kiss the cleaver.” Despite this, the record still sounds like a burst of creative energy, Brian Doidge’s guitar screaming like a rabid swine and Knott’s haunting voice is the embodiment of regret and self-loathing.〔(allmusic ((( Shaded Pain > Overview ))) )〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Shaded Pain」の詳細全文を読む



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